Destiny, Fate, Free Will and Free Choice in Oedipus the King - Power of

The Power of Fate in Oedipus Rex (the King) The underlying origin in Oedipus Rex is that fate is more powerful than free will. On this real basis of fate, free will doesnt even exist. This was a popular tactile sensation among the ancient Greeks. Fate may be accepted or denied by modern society, but in Oedipuss story, fate proves inevitable. In the play, Oedipus Rex, the characters Oedipus, Iocaste and Laios try to dislodge fate. In the very beginning of the story, before we hear from the oracle, there is already foreshadowing of Oedipus impending doom. He, himself, states to the people, Sick as you are, not one is as sick as I (Sophocles 5). This statement is almost eerie when sounding back upon it. Alone, it seems as if he knows that he is ill fated, but tuition on he clarifies his pain in this way Each of you suffers in himself alone His anguish, not anothers but my spirit Groans for the city, for myself, for you (Sophocles 5). His pain is not his prospective it is the plague of the country. Oedipus was told by Teiresias that in his later years he would be the killer of his own father, and would marry his own mother. In his attempt to lift this situation, he left both of his parents and traveled to a far away(predicate) city called Thebes. Once there he was married to a woman, that he, himself, was confident(p) was not his mother, for his mother was the woman that he had left back in Corinth. Also, being so far from his known home, there was no recover that he could kill his father whom he had also left behind. Oedipus estimate he was safe, but he was not. Oedipus is not the only one that tries to duck the curse. Iocaste also tried to escape the curse. She knows nigh it before Oedipus, himsel... ...esume on his healthy fortune until he find pain Life, at his death, a holding without pain (Sophocles 78). Work Cited Sophocles. Oedipus Rex. An Introduction to Literature, 11th ed.Eds. Sylvan Barnet, et al. New York Longman, 1997. 1. You enforce a lot of appositives. Appositives are devices that rename something, Oedipus, himself or Laios, the king or highwayman, a stranger. The second name should be set off by commas Oedipus, himself. 2. The character of Teiresias should be discussed in your conclusion since he embodies the truth about the absolute finality of fate, which is exactly what the other three characters failed to see. 3. Your paper should be organized so that each point, or each character is discussed in a separate paragraph and you stick to that character until you have richly discussed him or her.